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Score Bard

Score Bard

  • A Penthouse Letter by Sarah Walker

Shudder to Think frontman Craig Wedren now makes his magic behind the scenes.

For those of us with more, ahem, discerning ears, film scoring — the instrumental music written to enhance a story’s drama — can make or break a production. Ideally, it’s a thing of beauty that transports us, conveying emotions the images cannot. In reality, it can be an unrelenting assault on the senses, or overly dramatic schmaltz that offends our intelligence.

But not when it’s the work of L.A.-based film composer Craig Wedren.

“I always look at the music as the final character — this ghost that floats through,” says Wedren. “You’re not aware of it, you don’t know why you’re thinking or feeling the way you are, and this is frequently... Read More

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